| E2 • SCRIPPS TREASURE COAST NEWSPAPERS • SATURDAY, JULY 5, 2008 • F PAGE 2 (CONTINUED FROM PAGE 1). BEHIND THE SCENES That's because they are installing the "Ec- stas~y" exhibition in the screened and roped-off Schumann Gallery. museums in Connecticut, Missouri and New York. "The work requires a va- riety of skifi sets, and pos- es many physical and in- teflectual challenges," he said. "You have to have a good sense of aesthetics so that you capture what the curator and the artist have in mind. The greatest re- ward is to see the exhibit- tiôn come together." Von Ende is a newcomer to preparator work. He has been trained at the museum. For most exhibitions, that in- cludes unpacking and packing the pieces, paint- ing the gallery walls, and hanging and lighting the art. Growth has been a dis- tinguishing characteristic since the day 30 years ago when a handful of people gathered at the home of George and Jean Arm- strong to discuss their dream of a museum/art center. The result was the formation of the Alliance for the Arts, later renamed the Center for the Arts, which joined with the Ve- ro Beach Art Club to raise funds for a building. That center - the forerunner of today's museum - opened its doors in 1986. After little more than a decade, demands on its | • SCRIPPS TREASURE COAST NEWSPAPERS • the building. More than twice that amount was raised and, by 1999, the center's size had been dou- bled. Three years later, the facility assumed its cur- rent name. Today, the museum's continuing growth 1./~j~ 1-);fl I~, space demands. "We have taken huge leaps in the past few years," said Ge- deon. "Membership has hit a record of more than 6,000. We have outgrown our 247-seat auditorium. "We need more space for storage, specifically for our collection and exhibitions area. We also need cus- tom-designed space to bring us in line with pro- fessional practice. Frankly, the biggest challenge we face is the size of our facili- ty." ... that's a thing of beauty. Photo by FRANK KIMMEL • Correspondent Vero Beach Museum of Art conservator Jim Liccione spray paints "The End of the Day," an aluminum sculpture by Jane Manus, on the loading dock as part of the museum's ongoing restoration program. The piece will be returned to its permanent place in the sculpture garden. eEnd |  |